WINGS

"Tastes Like Chicken"

by

Tim Pevey

FINAL DRAFT
5/01/2000


Teaser

TEASER

FADE IN:

INT. AIRPORT LOBBY - DAY

(ANTONIO, FAYE, CASEY, ROY, LOWEL) ANTONIO ENTER HANGER TO FIND FAYE AND CASEY AT THE LUNCH COUNTER

ANTONIO

My life sucks.

FAYE

My, aren't we Mr. Jolly-Roger this morning.

ANTONIO

Things were finally different. I had this attractive lady in my cab, so I thought I would ask her out. You know, use the ol' Scarpachi charm.

CASEY

Well, what happened? We know she turned you down, we just wanna know how.

ANTONIO

She told me that her left earlobe had more muscle than me and she didn't date scrawny guys. I'm so ashamed!

LOWELL

No doubt. That's the most shameful thing I've ever heard.

ROY ENTERS, LAUGHING AND VERY EXCITED.

ROY

Hehe! I just saw this gorgeous woman get out of Antonio's cab. She handed me this piece of paper then ran to catch the bus.

ANTONIO

(JUMPS UP)

Really? Is it for me?

ROY

Heck no, Scarpachi! Back off!

(THEN)

I have a date!

LOWELL

Correction. Now it's the most shameful thing I've ever heard.

FADE OUT:

END OF TEASER


Act One

ACT ONE

INT. JOE'S OFFICE - DAY

(ROY, BRIAN) (ROY ENTERS. BRIAN SITS BEHIND JOE'S DESK.)

ROY

Hackett, I need your help.

BRIAN

Go away, Roy.

ROY

I've got a problem.

BRIAN

So you're referring to pounds in the singular now?

ROY

Hacket, I'll give you anything.

BRIAN

No, Roy! I'ts unethical, immoral, and flat-out wrong.

ROY

You don't even know what it is yet.

BRIAN

That? Oh, boilerplate Roy speech. Pretty much covers any request you'd, you know, ever make.

ROY

I need you to help me trick a lady into going on a date with me.

BRIAN

See. Told ya.

ROY

I'll give you ten bucks.

BRIAN

Twenty.

(BRIAN GRINS AS ROY REACHES FOR HIS WALLET. PULLS SOMETHING OUT AND HANDS IT OVER. IT'S NOT MONEY. BRIAN READS IT ALOUD.)

BRIAN (CONT`D)

"I like large men." A classified ad? Roy, did you place this?

ROY

Shut up, Hackett! Read on.

BRIAN

Okay, okay. "I like large men. Mustaches preferred. Must speak another language. Call me. I know you're out there, Big Poppa?" Big Poppa? It's got a name and phone number written next to it...

ROY

Some lady handed me that and ran off.

BRIAN

What? A woman? Human woman? I hope the devil has himself some skis and a lift ticket.

ROY

This is no joke. I can't speak another lasnguage! I need your help.

BRIAN

Too bad body language doesn't count. you'd be multi-lingual.

ROY

Funny. Will you help me, Hackett? Please?

BRIAN

Okay. Why not. What's your plan?

INT. AIRPORT LOBBY - LATER THAT DAY

(HELEN, ANTONIO, LOWELL, FAYE, ROY) (ANTONIO ENTERS THE LOBBY AND SITS AT THE COUNTER)

HELEN

Hey, Antonio. You want your usual burger and fries?

ANTONIO

No. From now on, I'm watching my weight. In a month, I'll be a new man, totally desirable to the ladies.

ROY

What ya gonna do Scarpachi,

FAYE

Perhaps you'll win the lottery. Women love money. Well, I love money.

LOWELL

You could get a puppy.

ANTONIO

Please! Have more faith. I'm simply sick and tired of being the black hole of muscle. I want figure. So, I went to Olga's Gym and filled out some applications for a free membership.

FAYE

Olga? I think I've seen her on T.V. Isn't that a man? I can never tell.

LOWELL

Isn't that the Russian gym?

HELEN

Wait, what do you mean applications with an s? How many did you fill out?

ANTONIO

Forty-two. The pen ran out of ink.

HELEN

Forty-two? What, are you crazy? They'll catch you!

ANTONIO

No, no. You see, I used a different name on each one. I could win forty-two times.

LOWELL

Which one am I talking to now? I'd like to speak to ANTONIO please.

HELEN

They're psuedonymes, Lowell. Not multiple personalities.

FAYE

I once knew this stewardess who did that and thought she could get away with it.

ANTONIO

We...what happened?

FAYE

Not much. They just made sure she never filled out their cards again.

ANTONIO

That's it, huh?

FAYE

Yeah. They cut off both index fingers.

HELEN

Faye!

FAYE

But, no worry, this was in Russia. Or was it a Russian-based gym? Oh, I don't know.

HELEN

Well, scpector of mutilation aside, I think your new regime is a great idea. In fact, I've been thinking about a healthy menu for my counter.

(ROY ENTERS, WALKING TO HIS OFFICE.)

ROY

Oh no, not you too, Chapel! My motto is: if it's not bad for you, it's not worth eating.

HELEN

Who woulda thought, huh, Roy?

ROY

Fine. Mock my ways. But I just wanna see you try and make money off food that tastes like vinyl.

LOWELL

I dunno. I think vinyl tastes pretty good.

HELEN

Fine. You're on. More people are health conscious then you give them credit for.

FAYE

What you need is something healthy yet international to satisfy the tourists.

HELEN

I've already thought of that. How 'bout Chinese food? In fact, I have some new recipes I'd like to try out. So, everyone at my place tonight for a sample, yeah?

ANTONIO

The "new" Antonio says: I accept.

INT. HELEN AND JOE'S HOUSE - NIGHT

(BRIAN, HELEN, CASEY, ANTONIO, JOE, FAYE) (EVERYONE SITS ON THE LIVING ROOM FLOOR SAMPLING VARIOUS CHINESE DELICACIES.)

JOE

Lowell is gonna be kicking himself for missing this. Where is he?

FAYE

Something about tasting the different types of vinyl in the hanger.

BRIAN

Helen, this stuff tastes...interesting. What is it?

HELEN

What you've got? The poo-poo platter.

(LAUGHS)

BRIAN

Yeah, that's...that's hilarious.

CASEY

So, how much fat does this stuff have?

HELEN

That's the best part! None! It might taste nasty, but this stuff is so healthy is unbelievable.

ANTONIO

So, you've got find those special health concious customers who have no taste buds?

HELEN

Nah, I'm sure plenty of people are like Casey.

ANTONIO

What do you mean?

HELEN

Too vain to care. They'll eat it even if they're about to puke.

CASEY

(CHOKING)

Who said I...was...gonna puke?

JOE

Man, wouldn't that be weird? Imagine, a person with no taste buds. What a freak.

BRIAN

Look who's talking. I hate to break it to you, but anyone who can't sleep as long as their shoes touch is pretty darn weird by most people's standards.

JOE

Oh, yeah? I bet a lof people are like that. Right, guys?

(EVERYONE AVOIDS MAKING EYE CONTACT WITH JOE.)

JOE (CONT`D)

Guys?

FAYE

Speaking of freaks, my friend told me about the most intersting news. In fact, it's kind of scary.

HELEN

Oh, really? Tell us!

FAYE

Well, she was watching one of those daytime talk shows, you know. The ones with all the dysfunctional people--

BRIAN

At least we know the source is reliable.

FAYE

Brian, this is serious, listen. They did a show on

(WHISPERS)

paginators.

(EVERYONE INHALES IN SHOCK.)

CASEY

Ew. What are those?

FAYE

I don't know, but it sounds really bad.

JOE

Well, what do these people do?

FAYE

I don't know exactly...but it must be just aweful.

JOE

Faye, if you don't know then you could be wrong. They could be totally harmless.

BRIAN

What? With an accredited news source like daytime talk shows? Hardly, Joe. Sounds solid.

FAYE

Get real, Joe. If you met one of these paginators you'd think twice before touching him, wouldn't you?

HELEN

It all sounds pretty sick to me.

FAYE

(LOOKS AROUND)

They worst part is, according to the show, one in every six people is a habitual paginator.

(THEY ALL LOOK SUSPICIOUSLY AT EACH OTHER WITH SLIGHT DISGUST.)

ANTONIO

Well, umm...I need to go. I need to be home in case the gym calls.

CASEY

Yeah, me too. Thanks, Helen. It was very...something.

(THEY ALL SAY THEIR GOODBYES AND HEAD TOWARDS THE DOOR. )

FADE OUT:

INT. JOE'S OFFICE - THE NEXT MORNING

(ANTONIO, BRIAN, JOE, LOWELL) (ANTONIO ENTERS WEARING A BELLY SHIRT AND PINK SPANDEX TIGHTS.)

ANTONIO

Ta da! What'd ya think?

BRIAN

I think you're very...bright.

ANTONIO

Where's Joe?

BRIAN

He's on his way back from Boston. I know he's not gonna want to miss this.

JOE ENTERS.

JOE

Brian, where's Lowell, the plane needs fuel and -- hey, cute butt, Antonio.

ANTONIO

Guys, I won! The Buff gods have smiled upon me. All those applications paid off. I got a call last night telling me that Eddy Money had won a free trial membership.

JOE

What gym is it?

(LOWELL ENTERS, A SMEARED COLLECTION OF COLORS ALL AROUND HIS MOUTH.)

ANTONIO

That new Russian one. Olga's.

(BOTH BROTHERS WHISTLE IN UNISON.)

JOE

Holy cow. I hear they kill you over there.

ANTONIO

Like, what, literally?

LOWELL

Killing is illegal.

BRIAN

Oh my god, Lowell. What happened to your face?

LOWELL

Oh, this? Turns out some of the vinyl we keep for the seats dissolves with saliva.

(JOE GLARES AT BRIAN.)

JOE

I told you we shouldn't have bought the absolute cheapest possible.

(BRIAN SHRUGS.)

LOWELL

Joe, I'll go re-fuel the plane. You guys know the finger story, right?

(LOWELL EXITS, SHIVERING AT THE MEMORY OF THE STORY.)

JOE

What finger story?

BRIAN

Yeah, there's this story going around about some lady who had her index fingers chopped off.

JOE

At the gym?

(BRIAN NODS.)

ANTONIO

You just wait. I'll be so ripped you won't recognize me in a month. Good luck trying to cut the fingers off He-Man Scarpachi. I start in half an hour. I better get going.

INT. AIRPORT LOBBY - CONTINUOUS

(HELEN, ANTONIO) (ANTONIO EXITS THE OFFICE AND ENTERS THE LOBBY JUST AS A PLANE FULL OF PASSENGERS RUSH TOWARDS THE LUNCH COUNTER, SWAMPING HELEN.)

HELEN

Antonio! Can I get your help for just a second?

ANTONIO

I have to leave--

HELEN

NOW!

ANTONIO

Coming!

(ANTONIO BOUNDS, GAZELLE-LIKE, OVER THE COUNTER IN A SINGLE, SMOOTH LEAP AND GRABS AN APRON. HELEN IS BUSILY FILLING ORDERS.)

ANTONIO (CONT`D)

What do I need to do?

HELEN

I can take care of these people, but my order form for the Chinese food is due. You fill that out while I handle the rush.

ANTONIO

But I have no idea what you want.

HELEN

I call it out; you right it down.

ANTONIO

Shoot.

HELEN

Okay, put me down for some rice. White. Six cases.

ANTONIO

Check.

HELEN

Give me seven cases of broth. Three vegetable and the rest chicken.

ANTONIO

Got it.

HELEN

Um...some Won Ton Chicken too.

ANTONIO

What?

HELEN

Won Ton Chicken.

ANTONIO

Wait, are you sure?

HELEN

Just do it, Antonio! I don't have time to argue!

ANTONIO

Okay, okay...

CUT TO:

INT. AIRPORT LOBBY - LATER

(HELEN) (HELEN EXISTS THE KITCHEN. SHE CARRIES A SAMPLE MENU IN HER HAND. THE LOBBY HAS GROWN QUITE AND NO CUSTOMERS ARE ABOUT. ANTONIO HAS ALREADY LEFT FOR HIS WORKOUT. HELEN CROSSES THE LOBBY AND WE:)

CUT TO:

INT. JOE'S OFFICE - CONTINUOUS

(JOE, HELEN, BRIAN, ROY) (HELEN ENTERS. JOE AND BRIAN SIT ON THE DESK TALKING.)

JOE

Did Antonio leave for his gym class already?

HELEN

Yeah, he just did.

BRIAN

(LAUGHING)

He doesn't stand a chance.

(ROY ENTERS, STICKING HIS HEAD IN THE DOOR.)

ROY

Hackett, I need you in my office. Now!

BRIAN

Excuse me. Duty calls.

(BRIAN AND ROY EXIT BUT THEY LEAVE THE DOOR CRACKED.)

HELEN

Joe, you gotta check this out!

(SHE HANDS HIM A SAMPLE MENU.)

HELEN (CONT`D)

Straight from the printers.

JOE

Wow, these are nice. They musta cost a fortune.

HELEN

They did, but I did some research and found out that vendors who sell Chinese food up their profits by sixty-five percent. I'm gonna be rich!

JOE

Just you?

HELEN

We're gonna be rich!

JOE

That's grey, honey. Listen, ther's something we need to discuss.

HELEN

What's wrong? Are you okay?

(GRINNING)

You're not upset that I'll be making more money than you, are you?

BRIAN

No, it's not that. It's just that I met this guy in Boston today...and...

HELEN

And...?

JOE

Well, he's a paginator.

HELEN

Oh my gosh! Did he hurt you?

JOE

No, no, no. Listen, it's okay. I found out what it was. It's not bad. We just have a small vocabulary, and...well...we believed Faye. In fact, this guy paginates for a living.

HELEN

Sick!

JOE

Faye got us freaked out over nothing. It's just someone who puts page numbers on documents. That's all.

HELEN

Damn. That's a job?

JOE

Well, I'm sure there's more -- that's the thirty-thousand foot view here.

HELEN

You know she's been telling everyone about that show. She's got half the island scared.

JOE

Well, by her definition, I'm a paginator too.

INT. AIRPORT LOBBY - CONTINUOUS

(CUSTOMER) (A CUSTOMER ENTERS WALKING UP TO THE "SANDPIPER AIR" COUNTER BUT FAYE IS NOT THERE. JOE'S DOOR IS CRACKED AND THE CUSTOMER CAN HEAR JOE AND HELEN'S ENTIRE CONVERSATION. SHE IS VISIBLY DISGUSTED AND INCHES CLOSER TO THE DOOR TO IDENTIFY THE SPEAKERS.)

INT. JOE'S OFFICE - CONTINUOUS

(JOE, HELEN)

HELEN

Well, I certainly don't see anything wrong with that.

JOE

(PROUDLY)

I paginated this morning as a matter of fact.

HELEN

Ooooo.

JOE

Right here!

HELEN

Wow!

JOE

In this office!

HELEN

(LAUGHING)

Oh! Let me join you next time!

JOE

Every morning before work. I'm on a schedule.

INT. AIRPORT LOBBY - CONTINUOUS

(CUSTOMER, FAYE, ROY, BRIAN) (THE CUSTOMER LOOKS ANXIOUS, PEEKING THROUGH THE DOOR TO JOE'S OFFICE WHEN FAYE ENTERS BEHIND HER.)

FAYE

Can I help you?

(THE STARTLED CUSTOMER JUMPS IN SURPRISE AND EXITS AS FAST AS SHE CAN. WE PAN TO SEE BRIAN IN A CONVERSATION WITH ROY AT THE "AIR MASS" COUNTER.)

ROY

So, she wants to go out Friday night. That's in two days! What am I gonna do?

BRIAN

You could try honesty.

(ROY GLARES AT HIM.)

BRIAN (CONT`D)

Fair enough. Worth a shot. I don't know, Roy. I think you're in over your head.

ROY

Hacket! You promised to help! Make the clutch play!

BRIAN

Alright, alright. Listen, let me think and I'll meet with you tomorrow, okay?

ROY

Tell me you have something.

BRIAN

Yeah, I think I have an idea.

INT. OLGA'S GYM - AFTERNOON

(ANTONIO, INSTRUCTOR) (ANTONIO ENTERS THE GYM AND WALKS UP TO THE CUSTOMER SERVICE COUNTER.)

ANTONIO

(TO HIMSELF)

The women here look more manly than me.

INSTRUCTOR

Hey! Can I help you?

ANTONIO

Yes. I won a free membership.

INSTRUCTOR

Name?

ANTONIO

Ah -- Eddie Money. Here's my slip.

INSTRUCTOR

Yes. It seems you did.

(LAUGHS)

Go home, little man. You'll never make it.

ANTONIO

I'd like to get started right away, please.

INSTRUCTOR

We have a minimum lifting requirement here. For quality control reasons.

ANTONIO

A what?

INSTRUCTOR

(SHOWS THE FINE PRINT)

You can't get your free membership unless you can bench two hundred pounds. You really wanan do this?

ANTONIO

I'm desperate. Please, help me.

INSTRUCTOR

Okay. We have a week to get you ready for the exam. Follow me.

(THE INSTRUCTOR LEADS HIM TO THE WORKOUT AREA. WE HAVE A MONTAGE OF WORKOUT SCENES: WE SEE ANTONIO PUNCHING A BAG, JUMPING ROPE, ETC. AND MESSING UP EVERY TIME. FINALLY, HE COLLAPSES. THE INSTRUCTOR POKES HIM WITH A FOOT TO MAKE SURE HE'S STILL ALIVE.)

INSTRUCTOR (CONT`D)

Hey! Someone call him a cab? I think...we're done for the day.

INT. AIRPORT LOBBY - MORNING

(HELEN, JOE, DELIVERY DRIVER) (HELEN AND JOE SIT AT THE COUNTER DRINKING THEIR MORNING COFFEE.) (SFX: BIG-RUG PULLING UP)

HELEN

Joe! I think that's my Chinese food order!

JOE

Whoa. Already? How'd it get here so fast?

HELEN

I paid extra for next day.

JOE

I sure hope you make all this money back.

HELEN

Oh, I will, and then some. Don't worry!

(DELIVERY DRIVER ENTERS.)

DELIVERY DRIVER

Helen Chapel?

HELEN

That's me! Are you from the food place...?

DELIVERY DRIVER

Yes, ma'am. I need you to sign here then my boys will start unloadin' the truck. Hope you folks aren't in a hurry to go anywhere.

JOE

Why? What's the problem?

DELIVERY DRIVER

You serious? It would take Superman all day to unload all this food ya'll ordered.

HELEN

(CONFUSED)

What? Let me see that.

(SHE GRABS THE MANIFEST, FRANTICALLY LOOKS THROUGH IT, AND SCREAMS.)

FADE OUT:

END OF ACT ONE


Act Two

ACT TWO

INT. AIRPORT LOBBY - CONTINUING

(HELEN, DELIVERY DRIVER, JOE, CUSTOMER, POLICE OFFICER, FAYE) (HELEN STARES BLANKLY AT THE MANIFEST, HER EXPRESSION ONE OF DISBELIEF AND HORROR. JOE IS TRYING TO WORK HIS WAY AROUND SO HE CAN SEE TOO.)

HELEN

This...this can't be right.

DELIVERY DRIVER

It's right, lady.

JOE

Let me see. Oh.

HELEN

I didn't order one ton of chicken!

JOE

Wow. That's a lot of chicken.

DELIVERY DRIVER

The boys and I were wondering why you'd do that. You'll never get through all that. We just figured you liked the stuff.

JOE

Helen, how could this happen?!

HELEN

Antonio!!!

(THE CUSTOMER THAT OVERHEAD HELEN AND JOE EARLIER NOW ENTERS WITH A POLICE OFFICER IN TOW.)

CUSTOMER

There he is, officer! That's the man! And her! She's in on it!

(THE POLICE OFFICER BEGINS TO TAKE OUT HIS HANDCUFFS AND WALKS TOWARDS JOE.)

JOE

Hey, hey, hey, what a minute! Chicken is still legal!

(PASSING THROUGH, LOWELL ENTERS JUST IN TIME TO HEAR JOE. HIS MOUTH AND LOWER FACE IS EVEN MORE COLORFUL THAN BEFORE.)

LOWELL

(PANICING)

They're coming for chicken now?! My vinyl!

(LOWELL RUNS TOWARDS THE HANGER.)

CUSTOMER

Don't play dumb, mister! I heard you and your lady friend in that office yesterday. You can't deny it.

POLICE OFFICER

I'm afraid you'll need to come with me, son.

JOE

What are the charges?

CUSTOMER

You said it yourself! You claimed to be one of them!

(FAYE ENTERS.)

FAYE

Oh my goodness! Joe! What's going on?

CUSTOMER

(TO FAYE)

You were right. They are everywhere. We just caught one of them!

(THE POLICE OFFICER HANDCUFFS JOE AND BEGINS WALKING HIM OUT.)

POLICE OFFICER

Sir, you're under arrest for being an active and habitual paginator.

JOE

No, you can't arrest me for that. It's not bad.

FAYE

Oh no, Joe, not you too!

JOE

Helen, help!

(JOE AND THE POLICE OFFICER EXIT.) (LOWELL ENTERS, RUNNING THROUGH THE LOBBY CLUTCHING VINYL SAMPLES TO HIS CHEST.)

DELIVERY DRIVER

Alright, boys. Let's hustle. This place is weird as hell!

EXT. AIRPORT - ESTABLISHING

INT. JOE'S OFFICE - AFTERNOON

(ROY, BRIAN) (ROY AND BRIAN PACE BACK AND FORTH, BRAINSTORMING.)

ROY

Okay, I'm ready to hear your big plan.

BRIAN

As far as I figure it, Roy, you're only problem is not knowing another language.

ROY

Right.

BRIAN

I've got that covered. I'm gonna teach you a new language.

ROY

I paid you for this! I'm outta here...

BRIAN

Wait! Roy, it'll work. Trust me. Okay. Her's what you do...

ROY

I'm waiting.

BRIAN

Make it up.

ROY

That's it? That's your master plan?

BRIAN

I've got some sample dialogue to teach you. It's a language she has never heard before and is never going to hear. Nothing to worry about.

ROY

Okay. Teach me. I'm an open book.

INT. AIRPORT LOBBY - AFTERNOON

(ANTONIO, HELEN, FAYE) (BOXES ARE STACKED ALL AROUND THE LUNCH COUNTER, UNABLE TO FIT INSIDE THE KITCHEN ALONE. HELEN TRIES TO GET A CUSTOMER SOME COFFEE BUT THERE IS JUST TOO MUCH IN THE WAY. DEFEATED, SHE GIVES UP. ANTONIO ENTERS, LOOKING RAGGED. HE'S IN PAIN AND WALKING FUNNY FROM THE SORENESS.)

ANTONIO

Oh...my poor little Italian body.

(ANTONIO SITS.)

ANTONIO (CONT`D)

Helen, can I please have some water? Hey, what are all these boxes for?

HELEN

(SACCHRINE)

Oh, hi, Antonio. How are you? Would you like some water? Really? Hold on, you've got something on your head.

(HELEN HITS HIM AS HARD AS SHE CAN WITH HER CLIPBOARD.)

ANTONIO

Ow!

HELEN

Got it! Now, let me get you your water.

(HELEN PICKS UP A GLASS OF WATER AND POURS IT DOWN HIS SHIRT.)

HELEN (CONT`D)

Refreshed? Do you need some more?

ANTONIO

What are you doing? I'm already in pain!

HELEN

Not as much as you're gonna be in a minute! You think Olga is bad? Oh, you ain't seen nothin' yet.

ANTONIO

What did I do?

HELEN

You idiot! Look around. I asked you to put me down for Won Ton Chicken, not one ton of chicken.

ANTONIO

There's a difference?

HELEN

In the sense that they are different words? Yeah.

ANTONIO

They sound the same to me.

(NERVOUSE LAUGH)

Is everything really that bad?

HELEN

I have enough food to feed a revolution and I'm in debt to here! I've got to sell all this chicken off somehow so I don't forfeit my soul to the bank, Antonio, so yeah, I'd say things are pretty bad.

(SHE SMACKS THE CLIPBOARD INTO HIS CHEST, HANDING IT OVER. HE'S JUST BEEN GANGPRESSED INTO SERVICE.)

HELEN (CONT`D)

And you're gonna help.

ANTONIO

Me? Oh, no, no, no, no.

HELEN

I don't need any lip from you now. Enough has gone wrong. First, this, then Joe went to jail, and now you, Mr. Liked-Him-Some-Chicken, is gonna help me get out.

ANTONIO

Joe's in jail? Why?

(FAYE WALKS OVER TO THE COUNTER FROM HER STATION.)

FAYE

Joe's not the same person we all thought he was, Antonio.

HELEN

Faye, would you stop saying that! Of course he is. You've got the whole thing wrong.

FAYE

I'm afraid he's brainwashed Helen as well.

ANTONIO

What's wrong with him?

HELEN

Nothing.

FAYE

He's a paginator.

(ANTONIO GASPS IN HORROR.)

ANTONIO

No! Not my friend Joe!

FAYE

'Fraid so.

HELEN

Listen, you guys need to cool it. Joe needs our help, and, right now, I need your help, Antonio. Now, put an apron back on.

EXT. AIRPORT - ESTABLISHING - NIGHT

INT. AIRPORT LOBBY - NIGHT

(ROY, DIANNA) (ROY SITS AT A NICELY DECORATED TABLE IN THE AIRPORT LOBBY. HE WEARS A PRESSED SUIT AND HAS NOTECARDS LAID OUT IN FRONT OF HIM, STEADILY REVIEWING HIS FAKE LANGUAGE FOR THE EVENING.)

ROY

(TO HIMSELF)

Huma gemarb blishhal. Numo. Lupfika!

(DIANNA, HIS DATE, ENTERS, AND HE QUICKLY HIDES THE CARDS.)

ROY (CONT`D)

Hello. You look lovely.

DIANNA

Why, thank you. Wonderful idea you had to eat dinner here. How creative.

(ROY PULLS HER CHAIR OUT FOR HER.)

ROY

Free chicken.

DIANNA

Hmmm?

ROY

Nothing. Nevermind.

DIANNA

I met one of your friends today at the grocery store. Quite a coincidental little run-in.

ROY

You did?

DIANNA

Yes. Brian Hackett. Charming man. He told me everything, Roy.

ROY

He did?

DIANNA

Yes. He went on for the longest time about you. How you were so intelligent, so fluent in other languages...

ROY

Of course he did. I've tried to teach him, but...hopeless. Only a special mind can grasp the language I've mastered.

DIANNA

Really? Which language is that?

ROY

Why are you so interested in languages?

DIANNA

I'm a professor. I teach the social linguistics, you know, the study of language development, it's uses, limitations, strengths.

ROY

Wow...so...I guess you...really know your stuff, huh?

DIANNA

You could say that. So, what is this language you know?

ROY

Oh

(COUGHING)

Umm...it's...unheard of, really.

DIANNA

I always love learning new things.

ROY

It's....Supasupatheg. Rather obscure.

DIANNA

I'll say. I've never heard of it, I don't think. How many active speakers?

ROY

Not. Many.

DIANNA

Well, I'd love to hear some. I just think hearing forgeing languages from a man is so sexy.

(HE LOOKS AT HER NERVOUSLY, FEELING OUTMATCHED AND IN TROUBLE.)

ROY

Zlikwam nrev-nrev pojibthraz.

DIANNA

And that means?

ROY

You look lovely tonight.

DIANNA

I think I like you already.

INT. HALLWAY - NIGHT

(DIANNA, ROY) (ROY WALKS DIANNA TO HER APARTMENT AFTER A LONG EVENING. THEY BOTH LOOK PLEASED AND HAPPY, AND IT APPEARS AS IF ROY ACTUALLY HAS A SENSITIVE SIDE TO HIM.)

DIANNA

Well, Mr. Bigguns, thanks for the evening.

ROY

You're welcome. Lifka forteena.

DIANNA

Mmmmm, what is that?

ROY

Sweet dreams. You have to go?

DIANNA

Yes, I'm afraid so. Sorry. I have so much work to do. I'll seen you soon, right?

ROY

You bet.

(DIANNA GIVES ROY A SMALL KISS ON THE CHEEK, TURNS, AND ENTERS HER APARTMENT, EXITING. ROY CAN'T CONTROL HIMSELF AND SKIPS DOWN THE HALLWAY.)

INT. AIRPORT LOBBY - MORNING

(BRIAN, HELEN, ANTONIO, FAYE) (HELEN AND ANTONIO ARE BUSY WRITING NEW MENUS. JUST AS THEY BEGIN HANGING THEM UP, BRIAN ENTERS.)

BRIAN

Ah, I didn't take you guys for preppers, Helen.

HELEN

Ha-ha, Brian. Look, I'm determined to sell all this off. Anyway you can fix chicken, we do it. Don't we, Antonio?

ANTONIO

We do.

(BRIAN LOOKS AT THE MENU)

BRIAN

And even ways you're not supposed to fix chicken.

HELEN

Go ahead, Antonio, show him the catchphrase. Do the moves this time.

(ANTONIO SIGHS, EXTREMELY EMBARRASSED.)

ANTONIO

Cluck, cluck, cluck, more chicken for your buck. Welcome to the counter, please try the chicken-pounder. Can I take your order?

BRIAN

You're gonna say that to, like...people?

HELEN

Part of his punishment.

(ROY ENTERS, VERY PLEASED WITH HIMSELF. HE WALKS RIGHT OVER TO BRIAN AND GIVES HIM A HUGE HUG.)

ROY

Hackett, you're the best!

BRIAN

Hey, whoa! I've a no sociopaths touching rule. The money was nice but that's as far as I go.

(ROY SEES THE NEW MENU BOARDS HANGING FROM THE REGISTER.)

ROY

Christ! Chicken shakes? Chicken fudge pops? God almighty. What did life ever do to you guys?

(ROY TAKES THE MENU BOARDS DOWN AND TOSSES THEM BEHIND THE COUNTER.)

ROY (CONT`D)

Here. Let me do you a favor. I'm feeling generous. For once.

BRIAN

So, things went well with your date, I assume?

ROY

Yes! You're language was flawless. She never knew! Where di you come up with that?

BRIAN

Oh, I've heard it before.

ROY

It exists. Oh no. She'll find out for sure.

BRIAN

Well, I wouldn't say it exists in the way you mean.

ROY

So, it's extinct? A dead language? Good. That's do-able.

BRIAN

Yeah, sure.

HELEN

Well, I gotta go see about bailing Joe out of the slammer. You've got it solo for a while, Antonio.

ANTONIO

No prolem-o.

INT. JAIL - LATER

(HELEN, JOE, DIANNA) (HELEN WALKS IN TO SEE A SCRAGGLY, UNSHAVEN JOE BEHIND BARD WITH A HOMELESS-LOOKING MAN.)

HELEN

Joe! You okay?

JOE

You came. Glad you finally decided to check on me.

HELEN

I'm so sorry. Things were a madhouse yesterday. I figured you'd be alright.

JOE

It's not easy when you're the best looking guy in jail, ya know.

HELEN

How are we going to get you out of this mess?

DIANNA

I think we already have. I'm Dianna Bastrom. I'm a lingual expert. The police call me now and then. I'll admit this is a first though. Usually, they need me if a case is dealing with something international. Can't say they've ever needed because they just have a small vocabulary.

HELEN

He's fine?

DIANNA

I've informed everyone that your husband is, indeed, not a criminal and that it was all a misunderstanding.

HELEN

Well, I guess we need to let Faye know too.

DIANNA

At the request of your husband, I spoke with her. Joe should be out any minute. We're just waiting on paperwork.

JOE

Thank you.

HELEN

Yes, thanks.

DIANNA

My pleasure. Paginator.

DIANNA EXITS, LAUGHING TO HERSELF.

INT. AIRPORT LOBBY - CONTINUOUS

(MAN 1, WOMAN 1, MAN 2, WOMAN 2, FAYE, ANTONIO, INSTRUCTOR) (THE COUNTER IS SWAMPED WITH CUSTOMERS WAITING FOR A PLANE. ANTONIO TRIES HIS BEST TO FILL ALL INCOMING ORDERS BUT IS CLEARLY IN OVER HIS HEAD. THE NEW MENUS BOARDS ARE NOWHERE TO BE SEEN.) (THROUGHOUT THE LOBBY, CUSTOMERS TASTE THEIR FOOD ONLY TO BE MET WITH THE SOMETHING TRULY AWEFUL.)

MAN 1

This is disgusting!

WOMAN 1

Can I have my money back?

MAN 2

What is in this Coke?

WOMAN 2

Is this a lump of chicken in my apple pie?

(FAYE ENTERS, HEADED TOWARDS THE SANDPIPER AIR COUNTER.)

FAYE

Antonio, what's going on?

ANTONIO

No problem, Faye. I got it under control!

FAYE

Well, I wasn't going to help. I was just asking what's going on. Didn't your workout sessions start fifteen minutes ago?

ANTONIO

I'm not going back. I quit. It's too t ough. I'm happy as I am. As Muscle-Atrophy Antonio.

FAYE

Just be careful. I heard they don't take kindly to that.

MAN 1

(HORRIFIED)

Oh my god, this is a chicken milkshake!

(FAYE EXISTS just as the INSTRUCTOR ENTERS ACCOMPANIED BY A WEIGHTLIFTING BUDDY. SHE LOOKS AROUND; ANTONIO IS NOT HARD TO SPOT.) (ANTONIO IS SO BUSY HE DOESN'T NOTICE THEM UNTIL HE BUMPS RIGHT INTO THE INSTRUCTOR!)

ANTONIO

Oh, excuse me, I'm terribly -- you!

INSTRUCTOR

Ha ha ha. Thought you could get away, little hairy man? We have a requirement to meet.

ANTONIO

It was a free membership! Free! I can quit when I want.

INSTRUCTOR

Quitting is an American invention.

ANTONIO

Then I should be fine. I'm Italian.

(SHE GRABS HIM BY THE COLLAR AND BEGINS TO DRAG HIM TOWARD THE DOOR.)

ANTONIO

No! It was free I tell you! Freeeee!

INT. JOE'S OFFICE - CONTINUOUS

(ROY, BRIAN) (ROY COMES BURSTING IN, SURPRISING BRIAN WHO IMMEDIATLY HANGS UP THE PHONE.)

ROY

Hacket!

BRIAN

I wasn't calling a 900 number on the Air Mass account again!

ROY

What?

BRIAN

Nothing. What can I do for you?

ROY

She wants to go out again. Tonight! The next night! This is good, right?

BRIAN

Wow. Very good. You sure she's feeling alright, Roy?

ROY

Yes, I'm fin--- wait, of course she is, Hackett.

BRIAN

Just a little surprised, that's all.

ROY

This could be it! The real thing for me!

BRIAN

You're lying to her, Roy.

ROY

So?

BRIAN

You're whole relationship is based on a lie.

ROY

So?

BRIAN

So, it can't be the real thing.

ROY

Semantics, Brian. All semantics. I made it and now you're jealous.

BRIAN

Whatever. It's gonna backfire. I'm tellin' ya now.

INT. DIANNA'S APARTMENT - EVENING

(DIANNA, ROY, TELEVISION ANNOUNCER, MISSIONARY, PAULA, MARTIAN) (DIANNA IS SITTING NEXT TO PAPERS SPREAD OUT ALL OVER HER COUCH. SHE PICKS UP THE PHONE AND CALLS ROY)

DIANNA

Hi, Roy? Hi. Listen, can you be over here at nine instead of eight? I'm so sorry...aw, thanks. You're sweet. There's just some extra work I'd like to get done before hand.

ROY (O.S.)

Lopum kinlojukko.

DIANNA

You're adorable. Bye. See ya soon.

(DIANNA's TELEVISION CAN BE HEARD IN THE BACKGROUND WHILE SHE WORKS.)

TELEVISION ANNOUNCER (O.S.)

We now return to our American Classic Movie selection, the romantic adventure from 1952, "Martian Missionary Man".

MISSIONARY (O.S.)

Paula, help me take the medical supplies off the ship. We might be able to help them if our biologies are similar enough.

PAULA (O.S.)

Sir, the Martian, he's trying to vocalize.

MARTIAN (O.S.)

Huma gemarb blishhal.

(DIANNA LOOKS UP FROM HER GRADING, THE RHYTHM OF THE WORDS SEEMS FAMILIAR TO HER.)

PAULA (O.S.)

What's he saying?

MISSIONARY (O.S.)

The ship hasn't translated it yet. We must record it!

MARTIAN (O.S.)

Pojibthraz. Forteena. Zlikwam nrev-nrev.

(WE SLOWLY PUSH IN ON DIANA AS IT DAWNS ON HER.)

MISSIONARY (O.S.)

The computer is calling it Supasupatheg. Keep recording, Paula!

CUT TO:

INT. ROY'S BEDROOM - CONTINUING

(ROY) (SFX: ROY'S PHONE RINGING) (ROY EMERGES FROM THE BATHROOM IN HIS UNDERSHIRT, SHAVING CREAM COATING HIS FACE)

ROY

Hello?

(PAUSE)

Dianna, hi. What? Wait...no. No, I haven't seen it.

(PAUSE)

Wait, Dianna, please, I can explain! Dianna? Dianna? Great.

INT. AIRPORT LOBBY - MORNING

(HELEN, ROY, JOE, FAYE, BRIAN, POLICE OFFICER) (ROY ENTERS, VERY DEPRESSED. HELEN CLEANS HER COUNTER. THERE ARE NO BOXES TO BE SEEN -- THE CLUTTER IS GONE.)

HELEN

Mornin', Roy. Lovely mornin', eh?

ROY

Shut up, Chapel.

HELEN

Your date go bad? Just a matter o' time.

ROY

Shut up, Chapel. Hey, where's all your chicken?

HELEN

Gave it away. No way I could sell it, and after what Antonio was doing yesterday, I was about to have Health Services shut me down. So, I got rid of it. Tax write off.

ROY

When Brian gets here, tell him I'm looking for the punk.

(JOE ENTERS, HAPPY TO BE OUT OF JAIL FINALLY. FAYE FOLLOWS, APOLOGIZING.)

JOE

It's ok, Faye. Really. I'm okay; you're okay. We're all okay.

FAYE

Listen, if there's anything I can do...? I have several stewardess friends who would love some company?

(WINKS)

JOE

Faye, I'm married.

FAYE

So?

JOE

So, that means I don't want to give another woman...company.

FAYE

What's your bias, Joe? Age? Is it the age thing?

JOE

What? No? Faye, I'm married.

(FAYE AND JOE CONTINUE TO ARGUE AS THEY EXIT INTO HIS OFFICE. BRIAN ENTERS.)

HELEN

Mornin', Brian. Oh, Roy wants to see you. Right now.

BRIAN

Really? His date ho that well? I gotta hand it to myself. I've really done well this time.

(ROY HEARS BRIAN'S VOICE AND ENTERS, STORMING OUT OF HIS OFFICE).

ROY

Hackett!

BRIAN

Yup! That's the sound of a happy, satisfied Bigguns.

ROYM

Hackett! You! You got that language off of "Missionary Man to Mars"?!

BRIAN

Hey, watch your language. It's "Martian Missionary Man", and it is a stone-cold classic.

ROY

I don't care! She found out! How could you take it off a movie?

BRIAN

She did?

(JUST THEN, THE POLICE OFFICER ENTERS)

POLICE OFFICER

Roy Bigguns?

ROY

(NERVOUSLY)

Yes?

(THE POLICE OFFICER TAKES HIM BY THE ELBOW AND STARTS TO LEAD HIM OUT THE DOOR.)

POLICE OFFICER

You're under arrest for being a member of the habitual paginators society. You have the right to remain silent.

ROY

What? I don't know what that means! I don't know what you're talking about!

(DIANNA ENTERS THE LOBBY JUST IN TIME TO ENJOY HER VICTORY. SHE LEANS AGIANST A WALL, WATCHING THE WHOLE SITUATION UNFOLD WITH AN EVIL GRIN.)

POLICE OFFICER

No use denying it, sir. We've got it straight from a personal aquaintance of yours. Let's go.

(THE OFFICER PULLS ROY OUT OF THE LOBBY, THEY BOTH EXIT.)

ROY (O.S.)

Hackett!!!

END OF ACT TWO